Recognising literature as a cultural artefact, Gallagher and Hartman both explore rewriting narratives to give voice to the silenced.

The country, the city, and the mind: while being an arbitrary split, this is a handy one in Dostoevsky's polemical masterpiece.

The two novels are markedly similar in how they use satiation to embody both the restriction and eventual acceptance of queer sexuality.

I demonstrate that placing Redcrosse and Errour together does not offer a chiaroscuro effect, and instead balances the two together.

This essay explores the ethical considerations of biographical pursuit as James creates a story where the narrator and protagonist clash.

Woolf's memoir delves into her mother's influence, while Baldwin reflects on racial inheritance and Ondaatje navigates a colonial past.

Gothic techniques and setting are integral to navigating the characters' psychological states, as well as their wider social environments.

This essay explores the process through which a subject is sublimated into poetry in the work of Mark Doty and Elizabeth Bishop.

Both texts poignantly present anxieties towards love which exist in the present-day - anxieties which concern forces of patriarchal power.

It is an essay that engages with several issues key to Black American Fiction, such as politics, power, and intersectionality.

In Fantomina, ownership is defied by veiling one’s real identity, whereas in Oroonoko, the character’s real name symbolises his enslavement.

This essay explores systemic, romantic, financial, and sexual failures that lead to individual and shared experiences of loneliness.

This essay confronts Walcott's The Season of Phantasmal Peace, reading it as a meditation upon a moment of transcendence.

This essay inspects how and to what extent male authors managed to present women’s subjectivity authentically.

In this essay, Alexandra Kogan compares two authors’ approaches to the questions of narrative subjectivity and authorial control.

Characters from both texts are imaginatively recast to redefine personal histories and to reconnect with shared histories.

The topic addressed is Virginia Woolf’s life-writing – which is approached as an investigation into her own and her family’s selfhood.

Engaging with the postmodern trend of feminist revisionism popularised in the 1970s, Atwood critiques the mode of classical poetry.

Set in the patriarchal setting of the courtroom, the play is staged in a space in which belief is misplaced, and justice withheld.