Comparing Saidiya Hartman’s ‘Venus in Two Acts’ and Catherine Gallagher’s Practicing New Historicism
The Philosophical Laboratory Case of Crime and Punishment Analysed in Three Narrative Levels
Feeding the Flame: Nutrition, Queer Desire, and Identity in Jeanette Winterson’s Oranges Are Not the Only Fruit and Melissa Broder’s Milk Fed
Spenser’s Ambivalence: Perspectives on Ireland Within Errour’s Monstrous Den
The Ethics of Privacy in Henry James’ The Aspern Papers
Carving out ancestry and family from life writing.
How are Wuthering Heights and The Picture of Dorian Gray’s settings bound up with their Gothic effects?
‘Hear How the Imagery Aestheticises?’: Elizabeth Bishop, Mark Doty and the Dangers of Poetic Appropriation.
How do Geoffrey Chaucer’s ‘The Knight’s Tale’ and Lady Mary Wroth’s ‘Pamphilia to Amphilanthus’ present the experience of romantic love?
Examining the Past in Black American Fiction: History, Temporality and Politics of the Black Body in Octavia Butler, Richard Wright and Ralph Ellison.
Naming Oroonoko and Fantomina
Feeling Lonely in Keep the Aspidistra Flying and Down and Out in Paris and London
Intimations of Transcendence in Derek Walcott’s The Season of Phantasmal Peace
‘Defining Her Feelings in a Language Chiefly Made by Men’: Uncovering Alternative Female Subjectivities in the Victorian Novel.
In what ways and to what ends do Freshwater by Akwaeke Emezi and The Girl Who Was Plugged In by James Tiptree manipulate narrative perspective?
(Re)memory and (Re)construction: Imaginatively Constructing Histories in Toni Morrison’s Beloved and George Eliot’s Silas Marner
What kind of life-writing emerges from Virginia Woolf’s essays?
Feminism, Revisionism, and ‘Dethronement’ in Margaret Atwood’s Circe/Mud Poems
Feminism, Truth and the Misplacement of Belief in Breach Theatre’s It’s True, It’s True, It’s True