Feminism, Revisionism, and ‘Dethronement’ in Margaret Atwood’s Circe/Mud Poems
- May 27
- 1 min
Feminism, Truth and the Misplacement of Belief in Breach Theatre’s It’s True, It’s True, It’s True
- Mar 1
- 4 min
A review of 'The Orange' by Wendy Cope (1992)
- Jan 17
- 3 min
A review of 'Written on the Body' by Jeanette Winterson (1992)
- Jan 17
- 3 min
A review of 'While We Were Dreaming' by Clemens Meyer (2023)
- Jan 7
- 2 min
A review of 'Notes of a Native Son' by James Baldwin (1955)
- Jan 6
- 3 min
A review of 'Conversations in Bloomsbury' by Mulk Raj Anand (1981)
- Jan 5
- 3 min
A review of 'Woods etc.' by Alice Oswald (2005)
- Jan 5
- 3 min
A review of 'Her Body & Other Parties', by Carmen Maria Machado (2017)
- Oct 9, 2023
- 4 min
A review of 'The Godfather', by Mario Puzo (1969)
- Oct 2, 2023
- 1 min
The Radical Restoration: Dworkin’s ‘Intercourse’ & Female Sexuality in the Seventeenth-Century
- Oct 2, 2023
- 1 min
In what ways do Northern Irish poets engage issues of Gender?
- Oct 2, 2023
- 1 min
Of Mimicry And (Wo)Man: The Location of Motherwork in Colonial Mimicry
- Oct 2, 2023
- 1 min
Authorial Presence within the Works of Samuel Beckett and Sarah Kane
- Oct 2, 2023
- 1 min
The Dangers of Female Sexuality: Contagion, Infection, and Disease in Gothic Vampire Narratives
- Oct 2, 2023
- 1 min
Eliot, Hughes, and Problems of Poetic Difficulty
- Oct 2, 2023
- 1 min
Aestheticized Violence and the ‘Amorous Catastrophe’
- Oct 2, 2023
- 1 min
Burdens of Imperialism in ‘The White Man’s Burden’, An Outpost of Progress, and A Passage to India
- Oct 2, 2023
- 1 min
The relationship between personal and cultural-historical memory in life-writing
- Oct 2, 2023
- 2 min
“Haunt me, then!”: Haunting as Symbolic Survival in the Gothic Literary Consciousness