How do Madame Bovary, Notes from the Underground, and Middlemarch explore the nature of freedom?
- Oct 2, 2023
- 1 min
Englishmen in the Contact Zone: A Close Reading of Gulliver’s Travels and The Rover
- Oct 2, 2023
- 1 min
Degeneration and the Disease Motif in Woolf’s Pearls and Swine and London’s Good-by, Jack
- Sep 4, 2022
- 2 min
Chaos and Consensus in Victorian Comic Literature
- Sep 4, 2022
- 1 min
Exploring the City through Kōbō Abe’s The Ruined Map and Yutaka Takanashi’s Toshi-e
- Sep 4, 2022
- 2 min
The Performance of Femininity in Elizabeth Bowen’s The Last September
- Sep 4, 2022
- 1 min
“Spell-bound”: Queer Futurity and Material Transfiguration in the Sketchbooks of Derek Jarman
- Sep 4, 2022
- 1 min
Sexuality as Degeneration within Modernist Writing of Empire
- Sep 4, 2022
- 1 min
The Power of Political Persuasion
- Sep 4, 2022
- 1 min
Embracing Limit and Extravagance in the Elegies of Mark Doty
- Sep 4, 2022
- 1 min
Alchemy, Natural Cycles, and Discomposure: The Representation of Love in the Renaissance Sonnet
- Sep 4, 2022
- 1 min
The Removal of the Female Characters from the Plot of The Iliad
- Sep 4, 2022
- 1 min
‘Goblin Market’ - A Close Reading
- Sep 4, 2022
- 1 min
The Futility of Anger in John Osborne’s Look Back in Anger
- Sep 4, 2022
- 1 min
Development of the Self in Mary Shelly’s Frankenstein and Jane Austen’s Northanger Abbey
- Sep 4, 2022
- 1 min
Chinua Achebe’s Ethnographic Response to Imperial Romance
- Mar 2, 2022
- 1 min
The Nightmare of Dracula’s Female Vampires
- Mar 2, 2022
- 1 min
Transgression and Subversion: Gender Hierarchies in 'Twelfth Night' and 'Paradise Lost'
- Mar 2, 2022
- 1 min
Satirising Courtly Love in Geoffrey Chaucer’s The Parliament of Fowls
- Mar 2, 2022
- 1 min
Conversations with the Supernatural in the Works of Washington Irving and Mary Shelley