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‘Goblin Market’ by Christina Rossetti explores the commodification of sexuality and virtue, and acknowledges the societal acceptance of sexual violence against women. The poem describes a tale of two sisters who respond differently when faced with temptation. Whereas Laura falls victim to the allure of the goblins’ forbidden fruits, Lizzie resists, representing the idealised moral woman. The value of women in society is shown to be perishable. Rossetti engages with this idea through an allegory of redemption. She addresses the notion of the fallen woman, by presenting her virtuous counterpart within a sexually ambiguous context. The relationship between men and women is explored by exaggerating gendered characteristics. Emphasis is placed on the aggression of the goblins, and qualities like patience and virtue in women. In this passage (ll. 408-446), Rossetti’s use of colour, sound and repetition creates a synaesthetic experience that is shared by the reader and mirrors the narrative. Lizzie’s silent resistance to the goblins’ aggression is conveyed with admiration. Her refusal to succumb to temptation is praised. Nevertheless, the contrast between Lizzie’s behaviour and the portrayal of violent, corrupting goblin men highlights a broader societal issue wherein women are commended for quietly enduring mistreatment, while the perpetrators are not held accountable.
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